Clayton Howe’s Entertainmentx

Annabeth Gish Part 2 ”Worry Is A Down Payment On A Debt That Never Comes True”

Annabeth Gish (IG:@annabeth_gish)(TW:@annabethgish) who is currently in Succession is a versatile actress who weathered the transition from child actor to adult, with a variety of dramatic and comedic roles on film and television.Anne Elizabeth Gish was born on March 13, 1971 in Albuquerque, New Mexico and moved with her family to Cedar Falls, at the age of two. Her parents were both teachers; her father, Robert Gish, was an English professor at the University of Northern Iowa, her mother, Judy, taught at Malcolm Price Laboratory School. Performing in community theater productions throughout her childhood, Gish began her professional acting career, at the age of eight, by appearing in a number of commercials. She made her screen debut, at the age of 13, in the teen film, Desert Bloom (1986), opposite Jon Voight, and, in following years, has found success in film and television. Gish starred in the films, Hiding Out (1987), with Jon Cryer, Mystic Pizza (1988), with Julia Roberts, and on Shag(1988), opposite Phoebe Cates and Bridget Fonda. She also played the lead role, as rape victim "Lyn McKenna", in the TV movie, When He's Not a Stranger (1989). Gish went on to graduate from Cedar Falls' Northern University High School in 1989. In addition to acting, Gish took time to focus on her academic career and attended Duke University. Studying English as well as theater, she graduated with honors, in 1993, with a BA in English.Gish returned to screens in the mid-1990s, with appearances in supporting roles, in films Wyatt Earp (1994), The Last Supper (1995) and critical praise biopic, Nixon (1995). The next year, Gish appeared in the ensemble cast movie, Beautiful Girls (1996). On television, Gish played the younger sister of Dana Delany's character in True Women(1997), a epic miniseries, based on the best seller novel by Janice Woods Windle. Her other credits include the miniseries, Scarlett (1994), the short-lived Patricia Wettig's drama series Courthouse (1995), the box office bomb superhero film, Steel (1997), a supporting role on Ashley Judd's success thriller, Double Jeopardy (1999), and several other independent films.Most recently, Gish played "Special Agent Monica Reyes" on the cult series, The X-Files(1993) (2001-2002), for which she was nominated for a Saturn Award for Best Supporting Actress on Television. She also starred in the Showtime drama, Brotherhood(2006) (2006-2008) and appeared in recurring roles on The West Wing (1999) (2003-2006), Flashforward (2009) (2010), Pretty Little Liars (2010) (2011-2012) and CSI: Crime Scene Investigation (2000) (2011-2012). In 2012, she starred on the ABC drama series, Americana (2012), as Ashley Greene's character's mother.

Annabeth Gish Part 1 ”Succession”

Annabeth Gish (IG:@annabeth_gish)(TW:@annabethgish) who is currently in Succession is a versatile actress who weathered the transition from child actor to adult, with a variety of dramatic and comedic roles on film and television.Anne Elizabeth Gish was born on March 13, 1971 in Albuquerque, New Mexico and moved with her family to Cedar Falls, at the age of two. Her parents were both teachers; her father, Robert Gish, was an English professor at the University of Northern Iowa, her mother, Judy, taught at Malcolm Price Laboratory School. Performing in community theater productions throughout her childhood, Gish began her professional acting career, at the age of eight, by appearing in a number of commercials. She made her screen debut, at the age of 13, in the teen film, Desert Bloom (1986), opposite Jon Voight, and, in following years, has found success in film and television. Gish starred in the films, Hiding Out (1987), with Jon Cryer, Mystic Pizza (1988), with Julia Roberts, and on Shag(1988), opposite Phoebe Cates and Bridget Fonda. She also played the lead role, as rape victim "Lyn McKenna", in the TV movie, When He's Not a Stranger (1989). Gish went on to graduate from Cedar Falls' Northern University High School in 1989. In addition to acting, Gish took time to focus on her academic career and attended Duke University. Studying English as well as theater, she graduated with honors, in 1993, with a BA in English.Gish returned to screens in the mid-1990s, with appearances in supporting roles, in films Wyatt Earp (1994), The Last Supper (1995) and critical praise biopic, Nixon (1995). The next year, Gish appeared in the ensemble cast movie, Beautiful Girls (1996). On television, Gish played the younger sister of Dana Delany's character in True Women(1997), a epic miniseries, based on the best seller novel by Janice Woods Windle. Her other credits include the miniseries, Scarlett (1994), the short-lived Patricia Wettig's drama series Courthouse (1995), the box office bomb superhero film, Steel (1997), a supporting role on Ashley Judd's success thriller, Double Jeopardy (1999), and several other independent films.Most recently, Gish played "Special Agent Monica Reyes" on the cult series, The X-Files(1993) (2001-2002), for which she was nominated for a Saturn Award for Best Supporting Actress on Television. She also starred in the Showtime drama, Brotherhood(2006) (2006-2008) and appeared in recurring roles on The West Wing (1999) (2003-2006), Flashforward (2009) (2010), Pretty Little Liars (2010) (2011-2012) and CSI: Crime Scene Investigation (2000) (2011-2012). In 2012, she starred on the ABC drama series, Americana (2012), as Ashley Greene's character's mother.

Celia Keenan-Bolger Part 2 ”Both”

Celia Keenan-Bolger (IG:@celiakb)(TW:@celiakb) is currently in The Gilded Age on HBO. She was born on January 26, 1978 in Detroit, Michigan and is a Tony Award winner and Broadway favorite. Celia Keenan-Bolger will return to To Kill a Mockingbird at the Shubert Theatre from October 5, 2021.
Keenan-Bolger trained at both the Mosaic Youth Theatre of Detroit and the Detroit School of Arts and graduated from the University of Michigan with a BFA in musical theatre. She began her stage career in regional theatres such as the Goodman Theatre in Chicago and Theatre Works in Silicon Valley, and she made her Off-Broadway debut as Aggie in Summer of '42 in December 2001.
During the Kennedy Center's Sondheim Celebration in 2002, she starred as Johanna in Sweeney Todd: The Demon Barber of Fleet Street, and she would then perform again off Broadway in January 2003 in Second Stage Theatre's production of Michael John LaChiusa's Little Fish. Also in 2003, she would originate the role of Clara Johnson in the celebrated musical The Light in the Piazza at both Seattle's Intiman Theatre and Chicago's Goodman Theatre.
She originated the role of Olive Ostrovsky in William Finn and Rachel Sheinkin's The 25th Annual Putnam County Spelling Bee at the Barrington Stage Company in the summer of 2004, reprised her performance off Broadway at Second Stage Theatre in January 2005, and did so again on Broadway, marking her Broadway debut in April 2005. She was nominated for her first Tony Award for her performance as Olive and received a Theatre World Award and a Drama Desk Award for Outstanding Ensemble Performance. She remained with the production until September 17, 2006. Her next Broadway venture would be to originate the role of Éponine in the 2006 revival of Les Misérables, playing the role from October 2006 to January 2008, earning a Drama Desk nomination in 2007.
Keenan-Bolger returned off Broadway for her next productions, starring as Mary in the musical Saved at Playwrights Horizons from May to June 2008, as Katie in Bachelorette for Second Stage Theatre from July to August 2010, and as Jenny Bridges in A Small Fire from December 2010 to January 2011, once again at Playwrights Horizons. She then landed the role of Molly in New York Theatre Workshop's acclaimed production of Peter and the Starcatcher, which played the Off-Broadway venue from February to April 2011, resulting in yet another Drama Desk Award nomination, and transferred to Broadway in March 2012, leading to her second Tony Award nomination. Ahead of the Broadway premiere, Keenan-Bolger also starred as Mary Flynn in New York City Center's Encores! production of Sondheim's Merrily We Roll Along in February 2012.
In the fall of 2013, she took on the role of Laura Wingfield in the Broadway revival of Tennessee Williams' The Glass Menagerie from September 2013 to February 2014. She garnered great acclaim for her performance, winning a Drama Desk Award, earning her third Tony Award nomination, and receiving the Theatre World Dorothy Loudon Award for Excellence in 2014.
Keenan-Bolger followed this performance with her Lincoln Center Theater debut, starring as Mother in an Off-Broadway production of Sarah Ruhl's The Oldest Boy from October to December 2014. She was next seen on Broadway as Varya, opposite Diane Lane, in Roundabout Theatre Company's 2016 revival of Chekhov's The Cherry Orchard, and she was last seen off Broadway in Second Stage Theatre's 2017 production of A Parallelogram. 
Keenan-Bolger returned to Broadway on November 1, 2018, taking on the role of Scout in Aaron Sorkin's new stage adaptation of the classic Harper Lee novel To Kill a Mockingbird. She won her first Tony Award in the category of Best Performance By An Actress In A Featured Role In A Play for her portrayal, and she ended her year-long run in the production on November 3, 2019. She leads the reopening cast of the play once more starting in October 2021.
Although primarily known for her career on stage, Ms. Keenan-Bolger has also appeared in a number of high-profile television shows over the years, including Law & Order (2007), Law & Order: Special Victims Unit (2014), Nurse Jackie (2014), The Good Wife (2015), Elementary (2015), Good Behavior (2016), Blue Bloods (2017), NCIS: New Orleans (2017), and Bull (2018). Her film credits include Mariachi Gringo (2012), The Visit (2015), Breakable You (2017), and Diane (2018).

Celia Keenan-Bolger Part 1 ”The Gilded Age”

Celia Keenan-Bolger (IG:@celiakb)(TW:@celiakb) is currently in The Gilded Age on HBO. She was born on January 26, 1978 in Detroit, Michigan and is a Tony Award winner and Broadway favorite. Celia Keenan-Bolger will return to To Kill a Mockingbird at the Shubert Theatre from October 5, 2021.
Keenan-Bolger trained at both the Mosaic Youth Theatre of Detroit and the Detroit School of Arts and graduated from the University of Michigan with a BFA in musical theatre. She began her stage career in regional theatres such as the Goodman Theatre in Chicago and Theatre Works in Silicon Valley, and she made her Off-Broadway debut as Aggie in Summer of '42 in December 2001.
During the Kennedy Center's Sondheim Celebration in 2002, she starred as Johanna in Sweeney Todd: The Demon Barber of Fleet Street, and she would then perform again off Broadway in January 2003 in Second Stage Theatre's production of Michael John LaChiusa's Little Fish. Also in 2003, she would originate the role of Clara Johnson in the celebrated musical The Light in the Piazza at both Seattle's Intiman Theatre and Chicago's Goodman Theatre.
She originated the role of Olive Ostrovsky in William Finn and Rachel Sheinkin's The 25th Annual Putnam County Spelling Bee at the Barrington Stage Company in the summer of 2004, reprised her performance off Broadway at Second Stage Theatre in January 2005, and did so again on Broadway, marking her Broadway debut in April 2005. She was nominated for her first Tony Award for her performance as Olive and received a Theatre World Award and a Drama Desk Award for Outstanding Ensemble Performance. She remained with the production until September 17, 2006. Her next Broadway venture would be to originate the role of Éponine in the 2006 revival of Les Misérables, playing the role from October 2006 to January 2008, earning a Drama Desk nomination in 2007.
Keenan-Bolger returned off Broadway for her next productions, starring as Mary in the musical Saved at Playwrights Horizons from May to June 2008, as Katie in Bachelorette for Second Stage Theatre from July to August 2010, and as Jenny Bridges in A Small Fire from December 2010 to January 2011, once again at Playwrights Horizons. She then landed the role of Molly in New York Theatre Workshop's acclaimed production of Peter and the Starcatcher, which played the Off-Broadway venue from February to April 2011, resulting in yet another Drama Desk Award nomination, and transferred to Broadway in March 2012, leading to her second Tony Award nomination. Ahead of the Broadway premiere, Keenan-Bolger also starred as Mary Flynn in New York City Center's Encores! production of Sondheim's Merrily We Roll Along in February 2012.
In the fall of 2013, she took on the role of Laura Wingfield in the Broadway revival of Tennessee Williams' The Glass Menagerie from September 2013 to February 2014. She garnered great acclaim for her performance, winning a Drama Desk Award, earning her third Tony Award nomination, and receiving the Theatre World Dorothy Loudon Award for Excellence in 2014.
Keenan-Bolger followed this performance with her Lincoln Center Theater debut, starring as Mother in an Off-Broadway production of Sarah Ruhl's The Oldest Boy from October to December 2014. She was next seen on Broadway as Varya, opposite Diane Lane, in Roundabout Theatre Company's 2016 revival of Chekhov's The Cherry Orchard, and she was last seen off Broadway in Second Stage Theatre's 2017 production of A Parallelogram. 
Keenan-Bolger returned to Broadway on November 1, 2018, taking on the role of Scout in Aaron Sorkin's new stage adaptation of the classic Harper Lee novel To Kill a Mockingbird. She won her first Tony Award in the category of Best Performance By An Actress In A Featured Role In A Play for her portrayal, and she ended her year-long run in the production on November 3, 2019. She leads the reopening cast of the play once more starting in October 2021.
Although primarily known for her career on stage, Ms. Keenan-Bolger has also appeared in a number of high-profile television shows over the years, including Law & Order (2007), Law & Order: Special Victims Unit (2014), Nurse Jackie (2014), The Good Wife (2015), Elementary (2015), Good Behavior (2016), Blue Bloods (2017), NCIS: New Orleans (2017), and Bull (2018). Her film credits include Mariachi Gringo (2012), The Visit (2015), Breakable You (2017), and Diane (2018).

Jared Mezzocchi Part 2 ”Strive”

Jared Mezzocchi (jaredmezzocchi.com)(TW:@JaredMezzocchi) is an two-time Obie Award-winning theater artist, working most notably as a director and multimedia designer. Mezzocchi’s work has appeared at theaters nationwide, including the Kennedy Center, the Geffen Playhouse, Vineyard Theater, Arena Stage, Woolly Mammoth (company member), Milwaukee Rep, South Coast Rep, Portland Centerstage, and many more. In 2016, he received an Obie, Lucille Lortel and Henry Hewes Award for his work in Qui Nguyen’s “Vietgone” at the Manhattan Theatre club. In 2020, the New York Times spotlighted his multimedia innovations during the pandemic alongside the work of four other theater artists, including Andrew Lloyd Webber and Paula Vogel. His work on Sarah Gancher’s digital premiere of “Russian Troll Farm” (co-director & multimedia designer, and second Obie) was also celebrated as a New York Times critic pick, and praised for being one of the first digitally native successes for virtual theater. Mezzocchi is a two-time Macdowell Artist Fellow, a 2012 Princess Grace Award winner, and is an Associate Professor at The University of Maryland, where he teaches in the MFA Design program for the projection and multimedia track. He grew up in New Hampshire, and returns every summer to serve as Producing Artistic Director of Andy's Summer Playhouse, an innovative children’s theater producing original work by professional artists from across the country. 

Jared Mezzocchi Part 1 ”ViDCo, Theatre, Film & Education”

Jared Mezzocchi (jaredmezzocchi.com)(TW:@JaredMezzocchi) is an two-time Obie Award-winning theater artist, working most notably as a director and multimedia designer. Mezzocchi’s work has appeared at theaters nationwide, including the Kennedy Center, the Geffen Playhouse, Vineyard Theater, Arena Stage, Woolly Mammoth (company member), Milwaukee Rep, South Coast Rep, Portland Centerstage, and many more. In 2016, he received an Obie, Lucille Lortel and Henry Hewes Award for his work in Qui Nguyen’s “Vietgone” at the Manhattan Theatre club. In 2020, the New York Times spotlighted his multimedia innovations during the pandemic alongside the work of four other theater artists, including Andrew Lloyd Webber and Paula Vogel. His work on Sarah Gancher’s digital premiere of “Russian Troll Farm” (co-director & multimedia designer, and second Obie) was also celebrated as a New York Times critic pick, and praised for being one of the first digitally native successes for virtual theater. Mezzocchi is a two-time Macdowell Artist Fellow, a 2012 Princess Grace Award winner, and is an Associate Professor at The University of Maryland, where he teaches in the MFA Design program for the projection and multimedia track. He grew up in New Hampshire, and returns every summer to serve as Producing Artistic Director of Andy's Summer Playhouse, an innovative children’s theater producing original work by professional artists from across the country. 

Keith Sherman Part 2 ”Keep Optimism In Your Heart”

Keith Sherman (ksa-pr.com)(IG:@keithshermanassociates)(heliclinefineart.com) provides diversified public relations and marketing communications services to entertainment, lifestyles, special events, corporate and not-for-profit clients. From his roots on Broadway, Keith has built a distinguished reputation for over 20 years among the leaders of Fortune 500 companies, entrepreneurs, producers, studio executives, celebrities, and artists for executing effective campaigns and consistently exceeding his clients’ goals. Keith is a hands-on agency distinguished by smart strategic thinking, proactive effort, integrity, personal attention, and a passionate drive to deliver excellent results for the clients we represent.

Keith Sherman Part 1 ”Publicity, The TONY Awards, Dealing Art & NEXT”

Keith Sherman (ksa-pr.com)(IG:@keithshermanassociates)(heliclinefineart.com) provides diversified public relations and marketing communications services to entertainment, lifestyles, special events, corporate and not-for-profit clients. From his roots on Broadway, Keith has built a distinguished reputation for over 20 years among the leaders of Fortune 500 companies, entrepreneurs, producers, studio executives, celebrities, and artists for executing effective campaigns and consistently exceeding his clients’ goals. Keith is a hands-on agency distinguished by smart strategic thinking, proactive effort, integrity, personal attention, and a passionate drive to deliver excellent results for the clients we represent.

Rick Elice Part 2 ”This Performance SOLD OUT”

Rick Elice co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with the great Marshall Brickman; The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards); and The Cher Show (currently on tour in the UK). In the pipeline: The Princess Bride for Disney; Smash for Robert Greenblatt, Neil Meron and Steven Spielberg, music and lyrics by Marc Shaiman and Scott Wittman, directed by Susan Stroman. Rick is also adapting Sara Gruen’s novel Water for Elephants; the popular film, Silver Linings Playbook; and writing an original musical, Treasure, with 2021 Ed Kleban Award-winner Benjamin Scheuer. Rick’s book, Finding Roger, An Improbably Theatrical Love Story, is published by Kingswell. Heartfelt thanks to those whose theatre work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Nunn, Laurents, Stone, Taymor, Papp, Schumacher, Schneider, David, Strong, Gaudio, Valli, McAnuff, Trujillo, Timbers, Coyne, Brickman, and, eternally, Roger Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now.

Rick Elice Part 1 ”Jersey Boys, Cher Show, Addams Family & Serino Coyne”

Rick Elice co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with the great Marshall Brickman; The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards); and The Cher Show (currently on tour in the UK). In the pipeline: The Princess Bride for Disney; Smash for Robert Greenblatt, Neil Meron and Steven Spielberg, music and lyrics by Marc Shaiman and Scott Wittman, directed by Susan Stroman. Rick is also adapting Sara Gruen’s novel Water for Elephants; the popular film, Silver Linings Playbook; and writing an original musical, Treasure, with 2021 Ed Kleban Award-winner Benjamin Scheuer. Rick’s book, Finding Roger, An Improbably Theatrical Love Story, is published by Kingswell. Heartfelt thanks to those whose theatre work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Nunn, Laurents, Stone, Taymor, Papp, Schumacher, Schneider, David, Strong, Gaudio, Valli, McAnuff, Trujillo, Timbers, Coyne, Brickman, and, eternally, Roger Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now.